SETTING ELEMENTS OF FICTION MOVIE
SETTING ELEMENTS OF FICTION REGISTRATION

At its root, Setting is the when and where of your story. So what is it? How exactly do we define Setting. And while there’s no right way to pen a story, capturing your setting purposefully is of the utmost importance. The setting isn’t merely a backdrop, it’s a active player in the plot and in the lives of the characters.

I love that! When I think about the books that have stayed with me over the years, they each have a setting that contributes meaningfully to the story. Improve up on it and it will take your writing to the next level.

What is it exactly, and what role does it play in our stories? Today, we’re going to take a look at Setting. To catch you up, here are the previous articles in the series: OKAY! Now! Back to the Five Elements of Fiction.

SETTING ELEMENTS OF FICTION REGISTRATION

We’re working to make it a special time, and I truly hope to see you there! Registration is required, so tap the graphic below for all those details. I have several tour stops planned throughout the month of January to celebrate this release, but there is one very special event crafted with the Go Teen Writers crowd in mind. Yesterday, my newest book, REBEL, BRAVE AND BRUTAL, hit shelves! It’s the sequel to my 2020 release, WINTER, WHITE AND WICKED and it feels so right that it’s finally out in the world.

SETTING ELEMENTS OF FICTION MOVIE

This is in some ways the most faithful “Spider-Man” movie adaptation ever, while on another level it’s all about going AGAINST the canon and breaking all the rules.Today, we’re going to dive back into our series focusing on the Five Elements of Fiction, but first things first! Picking up the story a year after the events of the 2018 film, “Across the Spider-Verse” begins with a rousing prologue in which Gwen Stacy (voiced by Hailee Steinfeld) bangs on the drums while telling us, “Let’s do things differently,” and that’s no idle prediction. There are so many clever comic book-style title cards and quick-cut Easter eggs, super fans watching this when it comes to home video will be pausing every 30 seconds and pointing at the screen like DiCaprio in “Once Upon a Time in Hollywood.” This is the very definition of a summer escapist blockbuster, featuring an awesome variety of visual designs and hues, from screen-popping CGI to rough-edged, hand-drawn frames to split screens to a few perfectly timed live-action cameos to some deliberately murky backgrounds, as if we’re looking at a 3D movie without the glasses on. Opens Thursday at local theaters.Īh, but despite that bloated running time, “Spider-Man: Across the Spider-Verse” really should be seen with a crowd, on the largest possible screen, with popcorn and jumbo-sized drink in hand. Rated PG (for sequences of animated action violence, some language and thematic elements). Thompson and written by Phil Lord, Christopher Miller and David Callaham, Running time: 140 minutes. Given that this is just the first half of a two-part sequel (“Beyond the Spider-Verse” is scheduled to arrive in theaters next spring), one can’t help but consider if this might have worked better as a multipart streaming series, with each episode running 45 minutes or so.Ĭolumbia Pictures presents a film directed by Joaquim Dos Santos, Kemp Powers and Justin K. The action sequences are dazzling and innovative, but at least two major set pieces run far too long, to the point where we’re equal parts thrilled and exhausted. Thompson to deliver a frequently exhilarating, visually glorious, wickedly clever and action-packed sequel that would have packed an even greater punch were it not for the running time of 2 hours and 20 minutes.

Miles Morales is a hero for our times.įour years after writer-producers Phil Lord and Christopher Miller gave us the Oscar-winning “Spider-Man: Into the Spider-Verse,” the duo has teamed up with directors Joaquim Dos Santos, Kemp Powers and Justin K. He has earned that sobriquet, even though his parents and even most of his fellow travelers across the Spider-Verse keep treating him like a kid and telling him he’s not ready to handle the worlds outside of Brooklyn. He’s Spider-MAN, and even though Miles Morales is just 15 years old, he has seen enough things and fought enough battles and endured enough pain to fully understand that with great power comes great responsibility. They don’t call him Spider-Kid or Spider-Teen.

Setting elements of fiction